JON DIX MUSIC LTD

Company profile: JON DIX MUSIC LTD was incorporated at 110 Grosvenor Place, Margate, Kent CT9 1UY on 19 April 2026 as the corporate vehicle wrapping the established Jon Dix composer, producer, and sound designer brand at jondixmusic.com, positioning under the strapline of an eclectic composer, music producer, and sound designer making music and sound for TV, video games, film, and adjacent media, with a published portfolio of original score and sound design work for sync, advertising music, and production music labels under the Jon Dix studio identity. The Margate Kent CT9 1UY registered office sits at the Margate seafront residential trading address aligned to the founder studio identity, with the founder also documented as a London and Margate based composer and music producer on the Instagram handle jonnymyc anchoring the personal-studio dual-base trading pattern typical of UK-based sync composers. The Jon Dix Music wordmark combines the founder full name Jon Dix and the Music trade suffix as the canonical naming pattern used by founder-led small composer and music production studio vehicles, distinct from the unrelated Jon Dix Mix Engineer profile on SoundBetter referencing a separate North London engineering trading footprint and other unrelated namesakes in the wider music industry. Contact channels and how they were verified: the brand domain at jondixmusic.com publishes the trading site with the published contact inbox jon@jondixmusic.com used as the primary commercial enquiry channel on the contact page, the published mobile reach +44 7415 718 597 used as the inbound voice line for music project briefs and sync commissions, and the brand sosyal estate anchored at instagram.com jonnymyc as the founder professional handle covering new work releases and sync campaign credits. How to approach this company: the published inbound is the brand inbox and the founder mobile, so the opener should land on a specific commercial uplift around sync licensing partnerships, music supervisor introductions, production music library partnerships, royalty collection tooling for composers, mastering and stem distribution partners, or remote session musician network platforms, rather than a generic agency procurement pitch. Out of scope: enterprise music rights management platforms sized for major label catalogues are oversized for a fresh founder-led Margate composer studio; consumer-facing music marketing is misaligned because the buyer here is the studio operator not the end listener.